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Mythpunk represents the newest branch from mythic fiction. The most notable author of this subgenre is Catherynne M. Valente. Her work The Orphan’s Tales: In the Night Garden is a textbook example of the category. She defined the new label—a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, world-building, and academic fantasy.



I found that definition a bit stiff so I discovered a more casual interview with Valente where she was asked what about the “punk” element in mythpunk sets it apart from mythic fiction. She answered, “…mythology, folklore, the fairy tales we grew up with told us all about a defined world where we could only be a few things: princesses or witches, princes or paupers, wizards or hags. Mythologies that defined a universe where women, queer folk, people of color, people who deviate from the norm were invisible or never existed. It’s about breaking that dynamic and piecing it back together to make something strange and different and wild.”



So mythpunk is about the unpopular crowds of fairytales, rather than the glamorous princesses and princes. It reexamines mythology with a modern politically correct view. Therefore, this subgenre modifies the easily discernible character archetypes of mythic fiction.





Interesting….

Date: 2012-02-27 06:37 am (UTC)From: [personal profile] sollers
sollers: me in morris kit (Default)
It sounds like a very selective reading of folklore and what nowadays gets called "fairy tales" (the very term is a bit of a red rag to me) - child abandonment by a family so marginalised that they aren't even peasants followed by abduction? Inconvenient children being taken out to die of exposure?

And a recurrent theme: white man enslaved and marrying the woman of colour who rescues him.

Date: 2012-02-27 08:25 am (UTC)From: [personal profile] sollers
sollers: me in morris kit (Default)
Further thought: "Young Bekie" turns out not to be historically accurate, but it's interesting that people liked to think that Thomas a Becket, arguably the most important saint in medieval England, was a person of colour.

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